In order to expand our collaboration with Sylvie Fleury beyond the printed magazine, we produced a limited edition of high quality apparel. Crafted on old loop wheeler machines in the south of Germany, using 100% high-quality, fair trade cotton. With a timeless, comfortable cut, and heavy cloth, inspired by the 60's and 70's, it’s built to last. Its heavy material and high-end production revives traditional values combined with a modern touch.

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For issue 15, titled “The collectivity issue”, we are thrilled to announce a special approach to our guest-editing. Instead of working with one artist, we have chosen to invite a total of 50 artists  to each guest-edit a single spread within the publication. The invited artists will juxtapose one of their images with an image they select from the open call.

We invite you to submit work that corresponds with your own perception of collectivity

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We are pleased to announce Sylvie Fleury as the guest editor for issue #14. YES TO ALL is Fleury's framework for the new issue of DER GREIF magazine. Originating as a computer command, YES TO ALL is a recurring theme in Fleury's oeuvre used to comment on an increasingly uncontrollable consumer desire.

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Franziska Kunze has chosen to collaborate with Marta Binazzi. Together, they have developed the following framework for your submissions: “An archive is an archive is an archive”.

With “An archive is an archive is an archive” – adopted from Gertrude Stein’s echoing and brilliant quote – Franziska Kunze and Marta Binazzi want to explore the possibilities of archival matters within photography. What do photographs do in archives? What do archives do with photographs? What do you do with both?

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Annekathrin Kohout, writer and cultural scientist, has decided to team up with writer, curator of contemporary art and founding director of the Philara Collection, Katharina Klang. Together, they have developed the following framework for your submissions: "No."

​No. Noooooooooooo. No longer. No more.

What does (an expressed) no look like?

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Darius Himes, head of the Photographs department at Christie's, has decided to collaborate with Hasselblad Master, Lecturer and Photographer Ali Rajabi.

Together, they have developed the following framework for your submissions: “The Oneness of Humanity”.

The principle of the oneness of humanity, which can be celebrated through the diversity of culture, expression, thought and opinion, is central to creating fellowship, peace and unity.

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Christoph Wiesner, head of the Rencontres d'Arles, has decided to collaborate with philosophy and photography graduate Aurélien Valette. Together, they have developed the following framework for your submissions: “Close Encounters of the Third Kind”.

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Johanna Neuschäffer and Anne Schwanz, founders of the multi-dimensional space and platform for contemporary art OFFICE IMPART, have decided to collaborate with the artist Christian Mio Loclair, who works at the interface of artistic and scientific research.

Together, they have developed the following framework for your submissions: “Simultaneity”.

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Diandra Donecker, managing director and partner at the art auction house Grisebach, has decided to collaborate with the artist Marius Glauer. The two have developed the following framework for your submissions: CHARACTERS OF RESONANCE "If acceleration is the problem, then resonance may well be the solution." 

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Sarah Johanna Theurer, curator at Haus der Kunst in Munich, has decided to collaborate with the art director & design strategist Clemens Jahn. The two have developed the following framework for your submissions: "Living Spaces”.

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Alfred Weidinger, managing director of OÖ Landes-Kultur GmbH, has chosen to collaborate with the artist and curator Maria Venzl.

The two have developed the following framework for your submissions: Identities in times of...

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Kathrin Schönegg and Kateryna Radchenko welcome international submissions, which will be matched with current imagery from Ukrainian artists, both exploring the theme "wild loneliness”.

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Holly Roussell and Ara Qiu welcome submissions from image-based artists exploring the theme, "The content is disturbed by its shadow”. The theme is inspired by the 2011 installation by Geng Jianyi (1962-2017). They look forward to discovering works employing the photographic medium and/or processes to explore distortion, circulation, interpretation, reconstruction, or refraction within the construction of global histories or the contemplation of present realities.

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In collaboration with the curator Roula Seikaly. They have developed the following framework for your submissions: TMRW (Tomorrow). Two years (and counting) of Covid and quarantine has allowed us to reevaluate the contours of our lives; where and with whom we live, what institutional systems do or don’t work for us, what we keep and what we discard, both materially and psychologically. Shaking off what was, and embracing what will be, is necessary.

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Anika Meier, curator, art historian and author, has chosen to collaborate with the artist Max Siedentopf.

The two have developed the following framework for your submissions: Heartfelt: Give everyone goosebumps

Every day we're flooded with thousands and thousands of images – we want to find the ones that go under our skin, the ones that make us feel in this vast flood of information.

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Willy Ndatira, a creative consultant works with Gucci and collaborates with Fantastic Man and AnOther Man, has chosen to collaborate with Dazed magazine editor Jack Stuart Mills.

The theme the two have developed together as a framework for your submissions is "Images for the Information Age"

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