I first became aware of George’s work when he both appeared in Der Greif’s Guest Room edited by Charlotte Cotton. Subsequently, we got in touch with one another, and have become friends as a result.

George‘s work often reminds me of the poetry of Tomas Tranströmer and Miroslav Holub (like George, both poets are from a medical background): a lightness of touch, an ambiguity and the yearning for something elusive from the evanescent quotidian.